In the end, The Irishman leaves off with many questions -- about legacy, regret, and more. Robert De Niro is out defending The Irishman from claims that the movie is based on lies. So let’s go with the idea of Leo-led flashbacks, for posterity. I love football, but I don't want to see a 63 year old Joe Montana take the field. There is no emotion, no innovation, no soul, no soundtrack, and no women. Depressing. Al Pacino as James Riddle "Jimmy" Hoffa. How about story? Martin Scorsese's exciting, epic-length new crime film, The Irishman, isn’t Goodfellas Light or Goodfellas 2, it is more an inverse Goodfellas. Yet it's an exquisite-looking movie, with nary an unnecessary move. Its the 21st Century. It's like an olg people's home from hollywood. At the same time, to really make this constructive criticism, it needs to have a suggestion for how to make things better, even if it’s a bad one. He’s a mob hitman who gets a phone call from Jimmy Hoffa, inviting him to be “a part of history” based on his house-painting reputation (“paint” being sly mob code for the blood of human targets). There are moments of sudden, gory violence, all with no value. Still have no idea how this is a must-wacth, people giving 10's only because of the cast and scorsese, because realistically, if the movie had been made by some other less influent director and cast, this would be a 6 at most. Welcome to the uncanny valley. I can not figure out why people are raving about it. Ray Romano as Bill Bufalino. Obviously, in this case, the models weren’t CG … but you get the point. Thank God it was on Netflix and I didnt have to spend a dime on it. Simply do what they have been doing for decades, have someone else play the actors in their younger. I really don't know how this is a must-see film. Martin Scorsese did a marvelous job selling this to Netflix, because no one else would play it. That's how bad this movie is. A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. As it is, what Scorsese gives us with The Irishman is an unglamorous return to mob movie territory, where the men’s half-CG faces are now fraying at the edges, skin-walking in unnatural ways. We've already ran several raves, so it's time for a The Irishman negative review from a critic who typically loves Martin Scorsese movies. If you don’t, perchance, not to worry. This is Scorsese at his most predictable, overlong, and self-repetitive. They are neither cold nor hot. massively overrated, This movie is unbelievably long and dull. No way does this movie deserve a 94 weighted score. A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. The CGI is incredible when making Robert De Niro more youthful, yet completely lazy and half-assed with simple things like glass breaking, or someone getting shot; there were scenes in which I couldn't tell whether I was watching Scorsese or Sharknado.Practical effects would have not only been cheaper to produce, but better looking. In ancient Egypt, pharaohs would be entombed with everything they needed for the next life: all their treasures and their mummified cats and even their living servants. Robert DeNiro and Al Pacino for the first time in decades, in this adaptation of the book I Heard You Paint Houses which recounts the final days. The plot was meandering and directionless, the writing stale and regurgitated. It is a movie about white men killing white men. Wikipedia tells me that it’s never had a commercial release. Check box if your review contains spoilers, A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. Privacy Policy / Cookie Policy. If it taught me anything at all, is that we men, as we get older, have to learn to recognize when it is time to stop. This film was so bad, This movie was so absolutely boring I didn’t even wait to get to the end. A 90 minute film might have worked. Really a movie for critics. Movies like this have littered the film landscape for 38 years since 1972’s The Godfather (which did the same thing but so much better, mainly because the genre was new). This was a horrible movie. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. Why they are still removed? Apologies in advance to the hard-working people at Industrial Light & Magic and all the rest of the cast and crew of The Irishman. The movie is full of cliche lines that are meant to seem deep, but fall very short. The Irishman is a sweeping tale of mob violence and betrayal following Frank Sheeran (Robert De Niro), one of the few Irishmen integrated into the … I shut it off. The Irishman uses this very mortal limitation to its artistic advantage. I held out a long time before watching it, wife wanted to see it badly and insisted on seeing it all in one sitting, so took a while to find the time. Mark Kermode reviews The Irishman. I was fine with them being old, as in. The Irishman is operatic and disturbing in the classic style, which is to say the style that Scorsese invented with the language partly provided by De Niro and Pesci. Joe Pesci and Robert De Niro in The Irishman | Netflix. All I can say is, when I watched it on the big screen — with the actors’ faces projected large enough to count their individual liver spots — the CGI stuck out like a sore thumb. The Irishman, the highly anticipated film from Martin Scorsese which reunites actors Joe Pesci. The worst movie from Scorsese. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. the Robert De Niro we fell in love with well...he has departed for places unknown. TERRIBLY long.. and usually, tedious. The greatest waste of movie budget in the history of movies. Pesci was understated and magnificent, while DeNiro and Pacino seemed miscast and cartoonish. One thing that's common among all Scorsese movies is the dialogue. Robert DeNiro and Al Pacino for the first time in decades, in this adaptation of the book I Heard You Paint Houses which recounts the final days of Jimmy Hoffas life and the connection Frank The Irishman Sheeran had to Hoffas disappearance. With Hugo, Scorsese showed himself capable of evolving and embracing technological trends like 3-D. Their performances are solid, but just needed a better story. This movie was a disappointment on a every level. In this one instance, I will not rejoice, because— like Peter Griffin assessing The Godfather — “I did not care for” The Irishman. I've thought about this movie a lot. The plot was meandering and directionless, the writing stale and regurgitated. I've loved Scorsese movies for decades. I can't believe people are really watching the whole thing, they must be fast-forwarding through parts of it and not telling anyone. The Irishman is a convoluted mess, no where near Scorsese's best work and nothing he hasn't done before. Even the scenes of violence and suspense are deliberately dispassionate, as if to confess that these things should not be spectacles. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. Story line is of interest although not factual but....the....movie....just....drags... on and on. Where are all the up and coming directors and actors? The 16-minute, $70-million film was bankrolled by a Chinese casino. 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